Feet. Brain. Back Again.

For over 20 years Ryder has worked with a variety of materials to test out concepts of expanded painting, often making 2D works that transform into 3D. Underpinned by notions of imperfection, temporality, the structure of systems, and the balance of chaos and control, Ryder’s processes fluctuate between playful and contemplative – both states being equal to, and dependant on the other.